I first started working on professional TV and film sets in 2001. While I had been writing screenplays for a few years, my interest in filmmaking (specifically the camera department) seemed completely separate from the stories I was trying to tell through my laptop. But the more time I spent on set reading these professional screenplays (professional to the tune of a few million dollars per episode) and watching the actors perform, the more I realized this would be as good a screenwriting teacher as all the books and seminars on the subject.

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